apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Via Appia Antica in Der Nähe Von Terracina, Signiert, Bezeichnet H. Corrodi Roma, Öl Auf Leinwand, 86,5 X 165 Cm
Via Appia Antica in Der Nähe Von Terracina, Signiert, Bezeichnet H. Corrodi Roma, Öl Auf Leinwand, 86,5 X 165 Cm by Hermann David Salomon Corrodi

plate no. 4521

Via Appia Antica in Der Nähe Von Terracina, Signiert, Bezeichnet H. Corrodi Roma, Öl Auf Leinwand, 86,5 X 165 Cm

Hermann David Salomon Corrodi, 1905

oilAcademicismlandscapelandscaperuinsfiguresskycloudsroad
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for sunsets, and rendering textures of stone and foliage. It also provides practice in depicting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins, figures, and horizon line.

  2. step 02

    Establish the sky with broad strokes, blending colors to create the sunset effect.

  3. step 03

    Block in the main shapes of the ruins and the road, using darker values for shadows.

  4. step 04

    Add details to the ruins, paying attention to the texture and weathering of the stone.

  5. step 05

    Paint the figures, simplifying their forms and focusing on their silhouettes.

  6. step 06

    Develop the foreground foliage with varied greens and browns, using dry brush techniques for texture.

  7. step 07

    Refine the sky and add highlights to the ruins and figures to create depth.

  8. step 08

    Add final details such as birds and small figures in the distance.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium orange · raw sienna · payne's gray

Achieve sunset colors by mixing yellow ochre, cadmium orange, and a touch of burnt umber. Create atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·color blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the distance
  • →Creating too much contrast in the sky
  • →Failing to establish a clear focal point
  • →Not paying attention to the values in the shadows

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea