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Venice by Enrico Prampolini

plate no. 0398

Venice

Enrico Prampolini, 1948

oilCubismcityscapebuildingscanalwaterboatscityscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into geometric shapes and using a limited color palette to create a cohesive and expressive artwork. It also encourages experimentation with bold brushstrokes and color layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the buildings and canal, focusing on the angles and perspective.

  2. step 02

    Block in the large areas of color, starting with the background sky and water.

  3. step 03

    Define the shapes of the buildings with their respective colors (red, blue, yellow).

  4. step 04

    Add details to the buildings, such as windows, doors, and architectural elements, using darker and lighter shades of the base colors.

  5. step 05

    Paint the reflections in the water with vertical brushstrokes, using variations of blue and white.

  6. step 06

    Add the boat in the foreground, paying attention to its shape and color.

  7. step 07

    Refine the edges and details of the painting, adding highlights and shadows to create depth.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance the colors and shapes.

color palette

primary · cobalt blue · cadmium red · yellow ochre

secondary · titanium white · burnt umber

Mix different shades of blue by adding white or burnt umber. Create variations in the red and yellow by adding small amounts of blue or white. Use white to lighten the sky and water.

techniques

  • ·blocking in
  • ·geometric abstraction
  • ·color layering
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overcomplicating the composition with too many details.
  • →Using too many colors, which can make the painting look muddy.
  • →Not paying attention to the angles and perspective of the buildings.
  • →Blending the colors too much, which can lose the vibrancy of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning)

optional

  • ·easel
  • ·palette paper
  • ·painting medium

Use a medium-grain canvas for best results. Acrylics are easier for beginners, but oils offer richer colors and blending capabilities.

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related guides

oil painting for beginners →how to learn by studying the masters →
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