apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Untitled (Portrait of Chand Bibi)
Untitled (Portrait of Chand Bibi) by M.F. Husain

plate no. 9812

Untitled (Portrait of Chand Bibi)

M.F. Husain, 1957

oilCubismportraitportraitfigurewomanheadscarffaceabstract
some experience helpful

This painting is a great exercise in simplifying complex forms into geometric shapes and using a limited color palette to create a striking portrait. Students will learn to identify planes and create depth through color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic outline of the head and shoulders, focusing on proportions.

  2. step 02

    Divide the face into geometric planes, simplifying the features (nose, eyes, mouth).

  3. step 03

    Block in the background with a flat layer of yellow.

  4. step 04

    Apply the main colors (yellow, green, gray, black, white, purple) to the corresponding planes on the face and headscarf.

  5. step 05

    Blend edges slightly to soften transitions between planes, but maintain distinct shapes.

  6. step 06

    Add details like the eyes, eyebrows, and the bindi on the forehead.

  7. step 07

    Refine the outlines and add any final touches to enhance the overall composition.

  8. step 08

    Consider adding a light wash of color to the background to unify the piece.

color palette

primary · yellow · green · gray · black

secondary · white · purple

Mix shades of gray by combining black and white. Achieve the green by mixing blue and yellow. The purple is a mix of red and blue.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·limited palette
  • ·blending
  • ·simplification of form

common pitfalls

  • →Over-blending the colors, losing the distinct planes.
  • →Struggling with proportions in the initial sketch.
  • →Using too many colors, making the painting look muddy.
  • →Not simplifying the facial features enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints (yellow, green, gray, black, white, purple)
  • ·variety of brushes (flat and round)
  • ·palette
  • ·water container
  • ·pencil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use good quality paints for better color saturation. Consider using a toned canvas for a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger