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Untitled by Mario Prassinos

plate no. 8779

Untitled

Mario Prassinos, 1946

oilCubismportraitportraitfiguretreesfoliagewalldress
some experience helpful

Recreating this painting will help students practice simplifying complex forms into basic shapes and using expressive brushstrokes to create texture and visual interest. It also encourages experimentation with color and unconventional portraiture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, background, and wall, focusing on proportions and composition.

  2. step 02

    Block in the large areas of color: black for the dress, green for the foliage, pink/white for the skin tones, and red/brown for the wall.

  3. step 03

    Begin adding details to the face, using distinct brushstrokes to define the features.

  4. step 04

    Develop the background foliage with varied greens and yellows, using short, broken brushstrokes.

  5. step 05

    Add texture to the wall using reds, browns, and whites, creating a brick-like pattern.

  6. step 06

    Refine the figure's form, paying attention to the highlights and shadows on the skin and dress.

  7. step 07

    Add final details and adjust colors as needed to achieve the desired effect.

  8. step 08

    Let dry and varnish.

color palette

primary · black · white · green · red

secondary · pink · brown · yellow · grey

Mix various shades of green by combining green with yellow and white. Create skin tones by mixing white with small amounts of red, pink, and brown. Achieve the wall color by mixing red and brown with touches of white.

techniques

  • ·Impasto
  • ·Broken color
  • ·Simplification of form
  • ·Expressive brushwork
  • ·Color blocking

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the unique proportions and features of the figure.
  • →Not varying the brushstrokes enough to create texture and visual interest.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (black, white, green, red, pink, brown, yellow)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Medium gloss
  • ·Easel
  • ·Rags

Use heavy body acrylics or oil paints to achieve the impasto effect. Consider using a palette knife for applying paint in certain areas.

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oil painting for beginners →how to learn by studying the masters →
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