apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Untitled
Untitled by Joan Miro

plate no. 9013

Untitled

Joan Miro, 1918

oilCubismcityscapebuildingscityscapeskycloudsarchitecturestreet
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and use color to define form and create atmosphere. It also provides practice in applying visible brushstrokes to build texture and visual interest.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and sky, focusing on overall composition.

  2. step 02

    Block in the main color areas for the sky, buildings, and street with diluted paint.

  3. step 03

    Begin layering colors within each section, using short, visible brushstrokes to build texture and form.

  4. step 04

    Pay attention to the color variations within the shadows and highlights of the buildings.

  5. step 05

    Add details to the architectural elements, such as windows, arches, and the church tower.

  6. step 06

    Refine the shapes and colors of the clouds, using a mix of blues, grays, and whites.

  7. step 07

    Add final touches and details to the street and foreground elements, such as the boats.

  8. step 08

    Step back and adjust colors and values as needed to achieve a cohesive and expressive result.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · violet · sap green · cadmium yellow

Mix blues and whites for the sky, adding touches of violet and grey. Use yellow ochre and burnt sienna mixed with white for the buildings, adding touches of blue and green to create shadows. Mix greens and yellows for the foliage.

techniques

  • ·broken color
  • ·visible brushstrokes
  • ·color layering
  • ·simplified forms
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by over-mixing on the palette.
  • →Failing to simplify the forms and getting bogged down in unnecessary details.
  • →Ignoring the color variations within the shadows and highlights.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (#4, #6, #8)
  • ·Flat brushes (#6, #10)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags or paper towels

optional

  • ·Painting medium (e.g., linseed oil or acrylic glazing medium)
  • ·Easel
  • ·Apron

Use good quality paints for best results. Consider using a toned canvas to make the colors pop.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger