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home·artworks·Une Route Enneigée, à Paris ou en Banlieue Parisienne
Une Route Enneigée, à Paris ou en Banlieue Parisienne by Pierre-Jacques Pelletier

plate no. 5273

Une Route Enneigée, à Paris ou en Banlieue Parisienne

Pierre-Jacques Pelletier

pastelImpressionismlandscapetreessnowroadbuildingsfiguresky
some experience helpful

This painting is good for practicing atmospheric perspective and creating a sense of depth using muted tones. Students can also learn how to suggest details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees and buildings.

  2. step 02

    Establish the overall value structure with a light wash of gray or blue.

  3. step 03

    Begin adding the sky and background, blending colors softly to create an atmospheric effect.

  4. step 04

    Paint the trees, paying attention to their shapes and the direction of the branches.

  5. step 05

    Add the snow on the ground, using short, broken strokes to suggest texture.

  6. step 06

    Introduce the buildings, keeping them muted and slightly out of focus.

  7. step 07

    Add the figure and carriage, using simple shapes and dark tones.

  8. step 08

    Refine details and adjust values as needed.

color palette

primary · titanium white · payne's gray · raw umber

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix white with small amounts of gray, umber, and blue to create the various shades of snow and sky. Use yellow ochre and burnt sienna sparingly for subtle warmth in the buildings.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much color and creating a painting that is too bright.
  • →Making the trees too uniform and lacking variety.
  • →Failing to establish a clear value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Using a toned canvas can help to establish the overall value structure more quickly. Consider using a fast-drying medium to speed up the drying time.

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related guides

color theory for painters →how to learn by studying the masters →
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