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home·artworks·Under the Burden of Adversity
Under the Burden of Adversity by Teodor Axentowicz

plate no. 3988

Under the Burden of Adversity

Teodor Axentowicz, 1938

oilArt Nouveau (Modern)symbolic paintingfigureslandscapebuildingskyhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, atmospheric perspective, and creating mood through color and brushwork. It's a good exercise in capturing subtle emotions and using a limited palette effectively.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the building in the background.

  2. step 02

    Establish the overall color scheme by applying a thin wash of earth tones to the canvas.

  3. step 03

    Block in the dark areas of the figures' clothing and hair, paying attention to the shapes and folds.

  4. step 04

    Begin to build up the skin tones using a mix of warm and cool colors, focusing on the subtle variations in light and shadow.

  5. step 05

    Add details to the faces, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  6. step 06

    Paint the background, blending the colors to create a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to the figures and background to create contrast and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium yellow

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt umber. Use ultramarine blue to create cool shadows and atmospheric effects in the background.

techniques

  • ·scumbling
  • ·blending
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much color and creating a painting that is too bright and cheerful.
  • →Failing to capture the subtle emotions of the figures.
  • →Ignoring the importance of value contrast and creating a painting that is flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a fine weave to allow for smooth blending. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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