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home·artworks·Un matin devant la porte du Louvre
Un matin devant la porte du Louvre by Edouard Debat-Ponsan

plate no. 0847

Un matin devant la porte du Louvre

Edouard Debat-Ponsan, 1880

oilAcademicismhistory paintingfiguresarchitecturestoneclothinghistoricalblood
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery, and creating a sense of depth through atmospheric perspective. It also offers practice in rendering complex textures like stone and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background tones, focusing on the values of the stone and sky to create depth.

  3. step 03

    Block in the main colors of the figures' clothing, using broad strokes to define the shapes.

  4. step 04

    Refine the figures' forms, adding details to the faces and hands.

  5. step 05

    Develop the drapery, paying attention to the folds and highlights.

  6. step 06

    Add details to the architecture, such as the texture of the stone and the details of the buildings in the background.

  7. step 07

    Introduce the blood and bodies on the ground, focusing on realistic rendering.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the muted tones by mixing earth tones with black and white. Use small amounts of cadmium red to create the blood effect. Mix ultramarine blue with burnt umber and white for the greyish-blue tones in the dresses.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·grisaille underpainting
  • ·glazing

common pitfalls

  • →Incorrect proportions of figures
  • →Overly bright or saturated colors
  • →Lack of depth in the background
  • →Inaccurate rendering of drapery folds

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, ivory black, yellow ochre, titanium white, cadmium red, ultramarine blue, raw sienna)
  • ·Palette
  • ·Assorted brushes (round and flat, various sizes)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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