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Two Witches by Hans Baldung

plate no. 9986

Two Witches

Hans Baldung, 1523

oil, panelNorthern Renaissancegenre paintingfiguresnudeslandscapeskycloudsgoat
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and subtle color blending to create realistic skin tones. It also provides practice in rendering drapery and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figures and composition.

  2. step 02

    Block in the main areas of color, starting with the background and then the figures.

  3. step 03

    Begin to refine the skin tones by layering thin glazes of color, paying attention to highlights and shadows.

  4. step 04

    Carefully render the drapery, focusing on the folds and how they interact with the light.

  5. step 05

    Add details to the faces, hair, and other features.

  6. step 06

    Work on the background details, like the sky and landscape, using soft blending techniques.

  7. step 07

    Refine the overall composition and make any necessary adjustments.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, umber, sienna, and small amounts of red and yellow. Use blue and black to create shadows. Mix yellow ochre and white for the lighter areas of the drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →inaccurate proportions
  • →muddy colors
  • →flat skin tones
  • →overworked details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (titanium white, raw umber, burnt sienna, ivory black, cadmium red light, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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