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home·artworks·Two small Girls with Bonnets
Two small Girls with Bonnets by John Russell

plate no. 7409

Two small Girls with Bonnets

John Russell

oilRococoportraitfigureschildrenbonnetsportraitroseclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering delicate skin tones and soft fabrics. It also provides practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures.

  2. step 02

    Establish the background with broad, blended strokes, creating a soft, atmospheric effect.

  3. step 03

    Block in the main shapes of the figures, focusing on the overall forms and values.

  4. step 04

    Begin layering colors to build up the skin tones, using subtle variations to create depth and dimension.

  5. step 05

    Refine the details of the faces, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the bonnets and clothing, capturing the texture and folds of the fabric.

  7. step 07

    Paint the rose, focusing on its delicate petals and subtle color variations.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious composition.

color palette

primary · titanium white · yellow ochre · alizarin crimson · ivory black

secondary · cerulean blue · raw umber · cadmium yellow

Achieve the delicate skin tones by mixing titanium white, yellow ochre, and alizarin crimson. Use ivory black sparingly to create shadows and depth. Mix cerulean blue with white and a touch of crimson for the flower.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·soft edges

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to capture the subtle variations in color and value, leading to a flat and unconvincing result.
  • →Neglecting the background, which can detract from the overall composition.
  • →Getting lost in the details too early, before establishing the basic forms and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·cerulean blue oil paint
  • ·raw umber oil paint

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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