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Two Pierrots by Juan Gris

plate no. 7064

Two Pierrots

Juan Gris, 1922

oil, canvasCubismportraitfiguresclownsportraitsgeometric shapescostumes
some experience helpful

Recreating this painting will help students understand how to simplify complex forms into geometric shapes and use a limited color palette to create a cohesive composition. It also provides practice in layering and blending colors to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes of the figures and background, focusing on proportions and placement.

  2. step 02

    Block in the main color areas with diluted paint, establishing the overall value structure.

  3. step 03

    Begin refining the shapes and edges, adding subtle color variations and shadows.

  4. step 04

    Pay attention to the contours and outlines, defining the forms with clean lines.

  5. step 05

    Add details such as the buttons, facial features, and the bird, using smaller brushes.

  6. step 06

    Blend edges and smooth transitions where needed, creating a sense of depth and volume.

  7. step 07

    Check the overall composition and make any necessary adjustments to balance the elements.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensional effect.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · yellow ochre · burnt sienna

Mix white with small amounts of blue and umber to create the various shades of gray and blue-gray. Use yellow ochre and burnt sienna to create warmer tones for highlights and accents.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·subtle blending
  • ·limited palette
  • ·contouring

common pitfalls

  • →Overcomplicating the shapes and losing the simplified geometric forms.
  • →Using too many colors and creating a muddy or incoherent palette.
  • →Ignoring the subtle value variations and creating a flat, uninteresting composition.
  • →Not paying attention to the proportions and creating distorted figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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