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home·artworks·Two Girls With An Oleander
Two Girls With An Oleander by Gustav Klimt

plate no. 4772

Two Girls With An Oleander

Gustav Klimt, 1890

oil, canvasRomanticismportraitfiguresflowerstreearchitectureportraitgarden
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering soft skin tones and subtle facial features, as well as practicing detailed botanical painting with varied greens and pinks.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, the tree, and the architectural elements.

  2. step 02

    Establish the background color with a thin wash of warm yellow and ochre.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and posture.

  4. step 04

    Begin layering the skin tones, using light and shadow to create form.

  5. step 05

    Paint the tree and flowers, starting with the darker greens and gradually adding lighter highlights and pinks.

  6. step 06

    Add details to the architectural elements, such as the molding and carvings.

  7. step 07

    Refine the details of the figures' faces and clothing.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red light

secondary · sap green · ivory black · raw sienna

Mix skin tones by blending white, yellow ochre, and a touch of red. Achieve the flower colors by mixing red and white, and adjust the greens by blending yellow and blue with a touch of brown.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to accurately capture the proportions and features of the figures.
  • →Creating too much contrast, which can detract from the overall softness of the painting.
  • →Not paying enough attention to the details of the flowers and architectural elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, burnt umber, titanium white, cadmium red light, sap green, ivory black, raw sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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