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home·artworks·Two Girls Singing
Two Girls Singing by Giovanni Costa

plate no. 6849

Two Girls Singing

Giovanni Costa

oilAcademicismportraitfiguresportraitsheet musicdressesinteriortapestry
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, capturing the subtle folds and highlights in fabric, and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main areas of color, paying attention to the overall value structure.

  3. step 03

    Begin refining the skin tones, using a limited palette and subtle blending techniques.

  4. step 04

    Develop the details of the dresses, capturing the highlights and shadows to create a sense of volume.

  5. step 05

    Paint the background tapestry, simplifying the details and using soft edges to create depth.

  6. step 06

    Add the sheet music, carefully rendering the notes and text.

  7. step 07

    Refine the details of the faces, paying attention to the eyes and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · viridian · ultramarine blue · cadmium yellow light

Achieve the skin tones by mixing titanium white, yellow ochre, burnt umber, and alizarin crimson. Use viridian and ultramarine blue to create the greens in the tapestry. Mix cadmium yellow light with white for the gold trim.

techniques

  • ·portrait painting
  • ·fabric rendering
  • ·atmospheric perspective
  • ·glazing
  • ·blending

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the subtle variations in color and value in the fabric.
  • →Making the background too detailed, distracting from the figures.
  • →Incorrect proportions of the figures
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-tinting the canvas with a neutral tone can help with color accuracy.

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oil painting for beginners →how to learn by studying the masters →
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