apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Two Beauties in Rain
Two Beauties in Rain by Ohara Koson

plate no. 1672

Two Beauties in Rain

Ohara Koson, 1935

paperShin-hangagenre paintingfiguresrainumbrellastreesbirdslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and mastering the technique of creating a sense of atmosphere through subtle color variations. It also provides practice in rendering figures and drapery in a stylized manner.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main elements: figures, umbrellas, tree, and distant buildings.

  2. step 02

    Establish the background wash with diluted light beige/pink, suggesting the rain and sky.

  3. step 03

    Paint the tree foliage using varying shades of green, creating depth with darker shadows.

  4. step 04

    Block in the figures' clothing with flat colors, paying attention to the folds and drapery.

  5. step 05

    Add details to the umbrellas, focusing on the radial patterns and color variations.

  6. step 06

    Paint the rain using thin, vertical lines of diluted white or light gray.

  7. step 07

    Add the birds and the distant buildings with minimal detail.

  8. step 08

    Refine the details and add any necessary highlights and shadows.

color palette

primary · red · blue · green · black

secondary · white · beige · gray

Achieve the muted tones by mixing primary colors with white or gray. Use diluted washes for the background and rain.

techniques

  • ·flat color application
  • ·layering
  • ·atmospheric perspective
  • ·line work
  • ·washes

common pitfalls

  • →Overworking the details
  • →Creating overly saturated colors
  • →Ignoring the atmospheric perspective
  • →Incorrect proportions of the figures

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (various sizes)
  • ·watercolor paper
  • ·pencil
  • ·eraser
  • ·palette
  • ·water container

optional

  • ·masking fluid
  • ·ruler
  • ·color pencils

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying line thicknesses.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji