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home·artworks·Applying Powder
Applying Powder by Torii Kotondo

plate no. 9911

Applying Powder

Torii Kotondo, 1929

oilShin-hangaportraitfigureportraitwomankimonohairhand
some experience helpful

Recreating this painting will help students develop skills in precise line work, color layering, and rendering smooth skin tones. It also provides practice in depicting fabric patterns and subtle shading.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the figure, focusing on accurate proportions and pose.

  2. step 02

    Block in the background with a flat layer of blue, creating a slightly textured effect.

  3. step 03

    Apply a base layer of pale skin tone to the figure, paying attention to the subtle variations in color.

  4. step 04

    Begin layering the kimono, starting with the red pattern and then adding the purple and white details.

  5. step 05

    Carefully render the hair with solid black, adding subtle highlights to create depth.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add final details such as the small blue accents on the kimono and any subtle shading on the skin.

  8. step 08

    Outline the figure and details with fine lines to define the shapes and add crispness.

color palette

primary · ultramarine blue · titanium white · cadmium red light · ivory black

secondary · dioxazine purple · yellow ochre

Mix skin tones by blending white with small amounts of red and yellow ochre. Create the background blue by mixing ultramarine with a touch of white. Achieve the purple by combining red and blue.

techniques

  • ·flat wash
  • ·color layering
  • ·fine line work
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to accurately capture the proportions of the figure.
  • →Making the background too uniform, losing the subtle texture.
  • →Getting the kimono pattern wrong, which will detract from the overall image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·water container
  • ·soft cloth
  • ·pencil

optional

  • ·palette knife
  • ·ruler
  • ·tracing paper

Use high-quality acrylic paints for best results. A smooth canvas surface will make it easier to achieve the desired effect.

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oil painting for beginners →how to learn by studying the masters →
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