apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Twilight
Twilight by Károly Lotz

plate no. 1300

Twilight

Károly Lotz, 1870

oilRomanticismlandscapeskycloudslandscapesheepwaterfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in a landscape. It also provides practice in rendering soft, diffused light and reflections in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, major landforms, and the placement of the sheep and figures.

  2. step 02

    Block in the sky with broad strokes, focusing on the overall color and value relationships.

  3. step 03

    Establish the dark masses of the trees and the large cloud, paying attention to their shapes and edges.

  4. step 04

    Begin to define the landscape, working from the background to the foreground, and gradually adding details.

  5. step 05

    Paint the water, capturing the reflections of the sky and the surrounding landscape.

  6. step 06

    Add the sheep and figures, simplifying their forms and focusing on their overall shapes and values.

  7. step 07

    Refine the details, such as the foliage, the texture of the grass, and the highlights on the sheep.

  8. step 08

    Adjust the overall color and value relationships to create a sense of atmosphere and depth.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · raw sienna · alizarin crimson

Achieve the sky colors by mixing ultramarine blue, yellow ochre, and white. Create the greens by mixing yellow ochre and ultramarine blue, and adjust the value with white or burnt umber. Use burnt umber and white for the sheep.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating harsh edges and failing to blend the colors smoothly.
  • →Ignoring the value relationships and creating a flat, unconvincing landscape.
  • →Making the sheep too detailed and distracting from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, cadmium yellow, raw sienna, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke