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home·artworks·Triptych with the Nativity
Triptych with the Nativity by Gerard David

plate no. 5212

Triptych with the Nativity

Gerard David, 1515

oilNorthern Renaissancereligious paintingnativityfiguresangelsarchitecturelandscapereligious scene
experienced study

Recreating this painting would help students develop skills in figure drawing, drapery painting, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering fine details and textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Divide the canvas into three sections to match the triptych structure.

  2. step 02

    Lightly sketch the main figures and architectural elements in each panel, paying attention to proportions and placement.

  3. step 03

    Establish the background colors, starting with the sky and landscape in the central panel.

  4. step 04

    Begin painting the figures, starting with the underpainting to establish the basic forms and values.

  5. step 05

    Gradually build up the layers of color and detail in the figures' clothing and faces.

  6. step 06

    Add the details of the architecture, such as the stone walls and windows.

  7. step 07

    Paint the angels in the central panel, focusing on creating a sense of movement and lightness.

  8. step 08

    Add the final details, such as the animals, the baby Jesus, and the objects on the floor.

color palette

primary · ultramarine blue · crimson red · ivory black · yellow ochre

secondary · burnt umber · raw sienna · titanium white · viridian green

Achieve the muted tones by mixing complementary colors and adding white. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·underpainting
  • ·figure drawing
  • ·drapery painting
  • ·atmospheric perspective

common pitfalls

  • →getting the proportions of the figures wrong
  • →overworking the details
  • →using colors that are too bright or saturated
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas (divided into three panels or painted as one)
  • ·oil paints
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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