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home·artworks·Triptych of the Sedano Family
Triptych of the Sedano Family by Gerard David

plate no. 8654

Triptych of the Sedano Family

Gerard David, 1498

oil, panelNorthern Renaissancereligious paintingfiguresreligious scenelandscapearchitectureangelsportraits
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and atmospheric perspective. It also provides practice with color mixing to achieve subtle gradations and highlights.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the placement of figures and the architectural elements.

  2. step 02

    Establish the background landscape and architectural details with thin washes of color.

  3. step 03

    Block in the main figures with basic shapes and colors, focusing on proportions and anatomical accuracy.

  4. step 04

    Begin layering colors to define the drapery folds and create depth in the clothing.

  5. step 05

    Refine the facial features and hands, paying close attention to light and shadow.

  6. step 06

    Add details to the architectural elements and background, such as the columns, windows, and foliage.

  7. step 07

    Glaze over the painting with thin layers of color to unify the composition and enhance the luminosity.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · red · blue · brown · white

secondary · green · gold · grey

Achieve the rich reds by mixing crimson with a touch of brown. Create subtle skin tones by blending white, yellow ochre, and a hint of red. Use blues and greys for the atmospheric perspective in the background.

techniques

  • ·glazing
  • ·underpainting
  • ·sfumato
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, brown, white, green, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, small flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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