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home·artworks·Triptych of the Mystical Marriage of St. Catherine of Alexandria, right wing: Scene of St. John the Evangelist in Patmos
Triptych of the Mystical Marriage of St. Catherine of Alexandria, right wing: Scene of St. John the Evangelist in Patmos by Hans Memling

plate no. 8692

Triptych of the Mystical Marriage of St. Catherine of Alexandria, right wing: Scene of St. John the Evangelist in Patmos

Hans Memling, 1479

oil, panelNorthern Renaissancereligious paintingfigurelandscapereligious scenerainbowhorsesbook
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with multiple figures and landscapes, as well as understanding the use of symbolism in art. It also provides practice in rendering realistic textures and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major compositional elements: the figure of St. John, the landscape, and the circular vision.

  2. step 02

    Establish the basic color blocks for the sky, landscape, and figure, using thin washes of color.

  3. step 03

    Develop the landscape by adding details to the hills, water, and figures on horseback.

  4. step 04

    Focus on the figure of St. John, carefully rendering the drapery folds and facial features.

  5. step 05

    Begin to build up the circular vision, starting with the rainbow and then adding the figures and details within.

  6. step 06

    Refine the details in the vision, paying attention to the light and shadow to create depth.

  7. step 07

    Add final details and highlights to the entire painting, ensuring a cohesive and balanced composition.

  8. step 08

    Varnish the painting to protect the surface and enhance the colors.

color palette

primary · red ochre · ultramarine blue · yellow ochre · titanium white

secondary · viridian green · burnt umber · cadmium yellow light

Mix various shades of red by combining red ochre with white and a touch of burnt umber for shadows. Achieve the sky colors by mixing ultramarine blue with white and a touch of yellow for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·rendering drapery
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of figures
  • →Muddying the colors by overmixing
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, detail)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface is recommended for detailed work.

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