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home·artworks·Triptych (middle panel) Christ Falls, with the Cross, Before a City Gate
Triptych (middle panel) Christ Falls, with the Cross, Before a City Gate by Bernard Van Orley

plate no. 6209

Triptych (middle panel) Christ Falls, with the Cross, Before a City Gate

Bernard Van Orley

oilNorthern Renaissancereligious paintingfigurescityscapearchitecturereligious scenelandscapehorses
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering complex scenes with many details. It also provides practice in creating depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Refine the sketch, paying attention to proportions and anatomical accuracy of the figures.

  3. step 03

    Block in the main color areas, starting with the background and then moving to the foreground.

  4. step 04

    Begin adding details to the figures, including clothing, facial features, and expressions.

  5. step 05

    Develop the architectural elements, focusing on perspective and texture.

  6. step 06

    Work on the landscape, creating depth and atmosphere through color and value variations.

  7. step 07

    Add highlights and shadows to create form and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · ivory black · raw sienna

Mix various shades of brown and earth tones by combining burnt umber, yellow ochre, and raw sienna. Achieve cooler tones by adding ultramarine blue and warmer tones by adding cadmium red.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth in the landscape
  • →Ignoring the light source
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →how to learn by studying the masters →
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