
plate no. 3493
Álvaro Pires de Évora, 1430
This painting offers practice in portraiture, color mixing for skin tones, and creating a sense of depth through subtle shading. Students can also learn about the use of gold leaf or metallic paints to create a halo effect.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure, halo, and robe.
Apply a base layer of gold or metallic paint to the halo area.
Block in the main colors for the face, robe, and head covering.
Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.
Add details to the face, such as the eyes, nose, and mouth.
Refine the shading and highlights on the robe and head covering.
Add decorative details to the halo using fine brushes.
Apply a final glaze to unify the painting and enhance the colors.
color palette
primary · red · gold · brown
secondary · white · grey · pink
Mix browns from burnt umber and yellow ochre. Achieve skin tones by mixing red, yellow, white, and a touch of blue. Use thin washes of color to build up depth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality acrylic paints for best results. Consider using a retarder medium to slow down the drying time of the acrylics and allow for more blending.
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