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home·artworks·Tomorrow Is Never
Tomorrow Is Never by Kay Sage

plate no. 7589

Tomorrow Is Never

Kay Sage, 1955

oilSurrealismlandscapestructuresscaffoldinglandscapefogskyreflections
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using subtle value and color changes. It also provides practice in rendering complex geometric forms within a muted color scheme.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the structures, paying attention to their relative sizes and positions.

  2. step 02

    Establish the horizon line and the overall tonal range of the sky and ground.

  3. step 03

    Block in the main colors of the sky and ground, blending them softly to create a hazy atmosphere.

  4. step 04

    Begin adding details to the structures, focusing on the linear elements and their perspective.

  5. step 05

    Use lighter values to indicate the structures further in the distance, reinforcing the atmospheric perspective.

  6. step 06

    Add subtle reflections of the structures in the foreground.

  7. step 07

    Refine the details and values, paying attention to the subtle gradations of light and shadow.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing raw umber and white, adding small amounts of black or yellow ochre to adjust the color temperature. Use thin glazes to build up the atmospheric effects.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·linear perspective
  • ·soft blending
  • ·subtractive method

common pitfalls

  • →making the colors too saturated
  • →losing the atmospheric perspective
  • →overworking the details
  • →incorrect perspective of the structures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a smooth canvas to facilitate blending. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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