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home·artworks·Tivoli: The Temple of the Sybil and the Campagna
Tivoli: The Temple of the Sybil and the Campagna by Richard Wilson

plate no. 1057

Tivoli: The Temple of the Sybil and the Campagna

Richard Wilson, 1765

oilRococolandscapelandscapeskycloudsarchitecturetreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of tones. It also provides practice in rendering foliage and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the town, tree, and figures.

  2. step 02

    Establish the sky with light blue and white, blending the clouds softly.

  3. step 03

    Block in the distant landscape with muted greens and browns, using lighter values for areas further away.

  4. step 04

    Paint the town on the hill, paying attention to the shapes of the buildings and the tower.

  5. step 05

    Add the tree, starting with the trunk and branches, then layering in the foliage with varying shades of green.

  6. step 06

    Paint the figures in the foreground, using simple shapes and muted colors.

  7. step 07

    Add details to the foreground, such as the rocks, foliage, and path.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · cerulean blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · sap green · ivory black

Mix various shades of green by combining yellow ochre, sap green, and raw umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·soft blending
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Creating too much contrast in the foreground, which can flatten the image.
  • →Using too much bright green, which can make the painting look unnatural.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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