
plate no. 9020
Charles Willson Peale, 1819
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and subtle color variations.
technical profile
approach — 8 steps
Sketch the basic proportions and pose of the figure.
Establish the background color with a thin wash.
Block in the main shapes of the face, hair, and clothing.
Begin layering skin tones, focusing on highlights and shadows.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add details to the clothing, including the collar, buttons, and any embellishments.
Create the folds and shadows in the clothing to give it depth.
Add final highlights and details to complete the painting.
color palette
primary · ivory black · burnt umber · raw sienna · titanium white
secondary · cadmium yellow · alizarin crimson · ultramarine blue
Mix skin tones by blending white, sienna, umber, and small amounts of red and yellow. Achieve the dark blacks by mixing ivory black with burnt umber. Use ultramarine blue to cool down the skin tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer to dry before applying the next.
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