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home·artworks·Time Traveller
Time Traveller by Sabin Balasa

plate no. 1158

Time Traveller

Sabin Balasa

oilSurrealismsymbolic paintingseaskyarchitecturefiguresrockscliff
some experience helpful

This painting provides practice in color mixing to achieve subtle gradations and in creating depth through atmospheric perspective. Students can also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the horizon line and the relative sizes of the elements.

  2. step 02

    Block in the sky and sea with broad strokes, establishing the overall color and value.

  3. step 03

    Paint the large architectural form, focusing on the subtle color variations and the direction of light.

  4. step 04

    Add the cliff and foreground rocks, building up texture and detail with layers of paint.

  5. step 05

    Paint the figures on the cliff, simplifying their forms and focusing on their silhouette.

  6. step 06

    Refine the details of the architectural form, including the windows.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and texture of the objects.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · burnt sienna · purple · yellow ochre

Mix ultramarine blue and white for the sky and sea, adding small amounts of raw umber to darken the blue. Use burnt sienna and raw umber for the earth tones, mixing with white to create lighter values.

techniques

  • ·color blending
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·form simplification

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too saturated and bright.
  • →Not simplifying the forms enough, resulting in a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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