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home·artworks·Through Birds Through Fire But Not Through Glass
Through Birds Through Fire But Not Through Glass by Yves Tanguy

plate no. 4580

Through Birds Through Fire But Not Through Glass

Yves Tanguy, 1943

oil, canvasSurrealismlandscapeabstract shapessurreal landscapeshadowsgeometric formsdreamscape
experienced study

Recreating this painting will help students develop skills in rendering abstract forms with light and shadow, and understanding surrealist composition. It also encourages experimentation with color mixing to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and their placement on the canvas.

  2. step 02

    Block in the background with a thin wash of muted green and blue.

  3. step 03

    Start with the largest forms, applying base colors and gradually building up layers of highlights and shadows.

  4. step 04

    Pay close attention to the direction of light and how it affects the forms.

  5. step 05

    Mix subtle color variations to create depth and dimension.

  6. step 06

    Add details and refine the shapes, focusing on smooth transitions and soft edges.

  7. step 07

    Carefully render the shadows, ensuring they accurately reflect the forms above.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and dreamlike atmosphere.

color palette

primary · pale green · light blue · ivory · red-orange

secondary · dark brown · yellow ochre · gray

Achieve the muted tones by mixing complementary colors (e.g., green and red) with white. Use thin glazes to build up color depth and create subtle variations.

techniques

  • ·glazing
  • ·soft blending
  • ·chiaroscuro
  • ·color layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and bright.
  • →Failing to accurately render the shadows, making the forms appear flat.
  • →Not paying attention to the subtle color variations within each form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (pale green, light blue, ivory, red-orange, dark brown, yellow ochre, gray)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted round and flat brushes
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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