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home·artworks·Three Seated Ladies with Lanterns
Three Seated Ladies with Lanterns by Kitagawa Utamaro

plate no. 2384

Three Seated Ladies with Lanterns

Kitagawa Utamaro

oilUkiyo-egenre paintingfigureslanternstea ceremonyinteriorkimonos
some experience helpful

Recreating this painting will help students develop skills in figure drawing, pattern replication, and understanding color relationships in a limited palette. It also provides practice in creating a sense of depth through layering and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement and proportions of the figures and key objects.

  2. step 02

    Outline the main shapes of the figures, lanterns, and background elements.

  3. step 03

    Begin blocking in the base colors for each area, starting with the largest areas like the kimonos and background.

  4. step 04

    Add the patterns on the kimonos and the details on the lanterns, using a fine brush.

  5. step 05

    Refine the facial features and hands of the figures, paying attention to subtle shading and highlights.

  6. step 06

    Add details to the tea ceremony objects and other small elements.

  7. step 07

    Adjust the values and colors to create depth and harmony in the painting.

  8. step 08

    Add any final details and touch-ups.

color palette

primary · red · green · brown · cream

secondary · orange · yellow · black

Achieve the various shades of brown by mixing burnt umber with small amounts of red, yellow, or white. Create the muted greens by mixing green with yellow and a touch of brown.

techniques

  • ·flat washes
  • ·pattern replication
  • ·fine line work
  • ·color layering
  • ·limited palette

common pitfalls

  • →Overcomplicating the color palette and losing the harmony of the original.
  • →Getting the proportions of the figures wrong, making them appear unnatural.
  • →Rushing the pattern replication, resulting in inaccurate or messy designs.
  • →Ignoring the subtle value changes, leading to a flat and lifeless painting.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints or gouache
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·watercolor paper
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·ruler
  • ·masking fluid
  • ·fine liner pen

Use good quality watercolor paper to prevent buckling and allow for better blending. Gouache can be used for a more opaque finish.

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