
plate no. 9997
Charles Gleyre, 1835
This painting is a good exercise in portraiture and fabric rendering. Students can learn to mix skin tones and create the illusion of folds and textures in the turbans and clothing.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figures and their turbans.
Establish the main light and shadow areas on the faces and clothing.
Begin layering in the base skin tones, using thin washes of color.
Mix and apply the colors for the turbans, paying attention to the subtle variations in tone.
Add details to the faces, such as the eyes, nose, and mouth, using small brushes.
Refine the folds and shadows in the clothing, adding depth and dimension.
Add any final details, such as highlights or textures.
Step back and assess the overall composition, making any necessary adjustments.
color palette
primary · raw umber · ultramarine blue · yellow ochre · titanium white
secondary · burnt sienna · cadmium red light
Mix skin tones by blending raw umber, yellow ochre, and a touch of cadmium red light, lightened with titanium white. Use ultramarine blue and white for the blue clothing. Achieve the turban colors by mixing white with small amounts of raw umber and yellow ochre.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve different effects.
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