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home·artworks·Three Children at the Window
Three Children at the Window by Carl von Bergen

plate no. 0266

Three Children at the Window

Carl von Bergen

oil, canvasAcademicismgenre paintingchildrenwindowleavesfiguresportraitfoliage
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and skin tones, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the window.

  2. step 02

    Establish the background with a thin wash of dark greens and browns.

  3. step 03

    Block in the main shapes of the figures with light flesh tones, paying attention to the overall values.

  4. step 04

    Start layering the skin tones, using subtle variations of pink, yellow, and white to create depth and form.

  5. step 05

    Define the features of the faces, focusing on the eyes, nose, and mouth, and capturing the expressions of the children.

  6. step 06

    Paint the window frame with light blues and grays, adding subtle highlights and shadows.

  7. step 07

    Add the foliage, using a variety of greens and browns to create texture and depth.

  8. step 08

    Refine the details and add final touches, such as highlights on the skin and leaves.

color palette

primary · titanium white · yellow ochre · burnt sienna · raw umber

secondary · ultramarine blue · cadmium yellow · alizarin crimson · viridian

Mix skin tones by blending white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Achieve the greens by mixing ultramarine blue, cadmium yellow, and raw umber.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overmixing skin tones, resulting in a flat and lifeless appearance.
  • →Neglecting the importance of accurate proportions in the figures.
  • →Failing to create a sense of depth in the background.
  • →Overworking the details, resulting in a stiff and unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes #2, #4, #6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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