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home·artworks·Three Barges Moored on the Outskirts of an Industrial Town
Three Barges Moored on the Outskirts of an Industrial Town by Albert Dubois-Pillet

plate no. 9092

Three Barges Moored on the Outskirts of an Industrial Town

Albert Dubois-Pillet, 1886

oil, canvasPointillismlandscapeboatswaterlandscapebuildingsskytrees
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and pointillism techniques. It also provides practice in creating depth and texture using small, distinct brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line, the basic shapes of the boats, and the main elements of the landscape.

  2. step 02

    Establish the base colors for the sky, water, and land using thin washes.

  3. step 03

    Begin applying small, distinct dots of color to build up the sky, focusing on variations of blue, white, and gray.

  4. step 04

    Work on the water, using similar pointillist techniques with blues, greens, and touches of purple to create depth and reflections.

  5. step 05

    Develop the land and foliage with greens, yellows, and browns, varying the density of the dots to suggest texture and form.

  6. step 06

    Paint the boats with their respective colors, paying attention to the highlights and shadows created by the light.

  7. step 07

    Add details to the buildings in the background, using small dots of color to define their shapes and create a sense of distance.

  8. step 08

    Refine the overall composition by adjusting the colors and adding final touches to create a cohesive and harmonious image.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · viridian green · cadmium red

Achieve the subtle variations in the sky and water by mixing blues and whites with small amounts of yellow ochre and burnt sienna. Create the greens for the foliage by mixing blues and yellows, and adjust the tones with white or burnt sienna.

techniques

  • ·Pointillism
  • ·Color mixing
  • ·Layering
  • ·Creating texture with brushstrokes
  • ·Atmospheric perspective

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Applying dots too uniformly, losing the sense of texture and variation.
  • →Ignoring the color relationships between different areas of the painting.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to apply the pointillist technique.

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oil painting for beginners →how to learn by studying the masters →
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