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home·artworks·Thomas Jefferson (The Edgehill Portrait)
Thomas Jefferson (The Edgehill Portrait) by Gilbert Stuart

plate no. 9653

Thomas Jefferson (The Edgehill Portrait)

Gilbert Stuart

oilRococoportraitportraitfiguremanclothinghistorical figure
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions and capturing likeness. It also provides practice in subtle color mixing and blending to create realistic skin tones.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the background with a thin, even layer of muted gray-green.

  3. step 03

    Establish the basic skin tones using a mix of white, red, yellow, and brown, paying attention to the highlights and shadows.

  4. step 04

    Paint the dark areas of the coat and hair, using a mix of black and brown.

  5. step 05

    Add the white cravat, carefully observing the folds and highlights.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add details to the hair, using small brushstrokes to create texture.

  8. step 08

    Make final adjustments to the values and colors to achieve a realistic and harmonious effect.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow, and a touch of brown. Use small amounts of blue to cool down the skin tones in shadow areas. Mix black and brown for the coat, and add a touch of blue to deepen the shadows.

techniques

  • ·portraiture
  • ·blending
  • ·color mixing
  • ·value study
  • ·layering

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or muddy skin tones
  • →Lack of subtle value changes
  • →Ignoring the direction of light

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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