
plate no. 5257
Charles Willson Peale, 1797
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering fabric and drapery.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to the proportions of the figures and the placement of key elements.
Establish the background with broad, blended strokes of brown and burgundy.
Block in the main shapes of the figures, focusing on the overall value structure.
Begin refining the facial features, using thin layers of paint to build up the skin tones.
Add details to the clothing, paying attention to the folds and highlights.
Paint the books and paper on the table, adding subtle details to create a sense of realism.
Refine the drapery, adding highlights and shadows to create depth.
Add final details and highlights to the figures and background.
color palette
primary · ivory black · raw umber · titanium white · cadmium red light
secondary · yellow ochre · alizarin crimson · ultramarine blue
Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt umber to create deep blacks for the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Louis XV, King of France
Charles-Andre van Loo (Carle van Loo)

William James
Joshua Reynolds

Wooded Landscape with Gypsies, Evening
George Lambert

Head of a Scholar
Giovanni Domenico Tiepolo

Gentleman and Wife
William Williams

Portrait of Antoine Watteau
Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV
Jean-Étienne Liotard

Mr. John Williams
Benjamin West