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home·artworks·Thomas and Henry Sergeant
Thomas and Henry Sergeant by Charles Willson Peale

plate no. 6310

Thomas and Henry Sergeant

Charles Willson Peale, 1787

oilRococoportraitfiguresportraitchildrendoglandscapeclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding composition and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and proportions of the figures and dog.

  2. step 02

    Block in the background with thin washes of color, establishing the overall tonal values.

  3. step 03

    Begin painting the figures, starting with the darkest areas and gradually building up the highlights.

  4. step 04

    Pay close attention to the shapes and values of the faces to capture the likeness of the subjects.

  5. step 05

    Carefully render the details of the clothing, including the buttons, ruffles, and folds.

  6. step 06

    Paint the dog, paying attention to the texture of the fur and the highlights in the eyes.

  7. step 07

    Refine the details of the background, adding subtle variations in color and texture.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red light · ultramarine blue

Mix skin tones using white, yellow ochre, and a touch of red. Create darker tones by adding burnt umber and a small amount of blue. Achieve the dark greens of the clothing by mixing black, yellow ochre, and a touch of blue.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the likeness of the subjects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for painting.

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oil painting for beginners →how to learn by studying the masters →
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