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home·artworks·The White Tenement
The White Tenement by Robert Spencer

plate no. 7220

The White Tenement

Robert Spencer, 1913

oilImpressionismcityscapebuildingtenementwatervegetationskyfigure
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing the texture of surfaces with visible brushstrokes. It also provides practice in simplifying complex scenes into manageable shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the tenement building, surrounding houses, and the waterline.

  2. step 02

    Block in the large areas of color for the sky, building, water, and vegetation using thin washes.

  3. step 03

    Begin building up texture on the building by applying small, individual brushstrokes of varying colors.

  4. step 04

    Add details to the surrounding houses, paying attention to the variations in color and value.

  5. step 05

    Work on the vegetation in the foreground, using short, broken strokes to create a sense of depth and texture.

  6. step 06

    Paint the reflections in the water, using similar colors to the objects above, but in a more muted and blurred way.

  7. step 07

    Add the figure and any other small details, such as the laundry line.

  8. step 08

    Refine the painting by adjusting values and adding highlights and shadows as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · cadmium red · sap green · titanium white

Mix various shades of beige and gray for the building by combining yellow ochre, burnt umber, and white. Achieve the green tones by mixing ultramarine blue and yellow ochre or sap green.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Getting bogged down in details too early in the process.
  • →Failing to capture the subtle variations in color and value.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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