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home·artworks·The way to Paradise
The way to Paradise by Dirk Bouts

plate no. 7543

The way to Paradise

Dirk Bouts, 1468

oil, woodNorthern Renaissancereligious paintingfigureslandscapearchitectureskytreesreligious
experienced study

Recreating this painting will help students develop skills in depicting complex figures, atmospheric perspective, and rendering intricate details in architecture and drapery. It also provides practice in creating a sense of depth and narrative within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, architecture, and landscape elements.

  2. step 02

    Establish the background with a light wash of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures and architecture, using simplified forms and values.

  4. step 04

    Begin to refine the details of the figures, including facial features, drapery, and hair.

  5. step 05

    Add details to the architecture, focusing on the intricate carvings and textures.

  6. step 06

    Develop the landscape, adding details to the trees, foliage, and ground.

  7. step 07

    Refine the lighting and shading, creating a sense of depth and volume.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt sienna · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red light · viridian

Mix various shades of brown and green by combining burnt sienna, yellow ochre, and ivory black. Achieve skin tones by mixing titanium white, cadmium red light, and yellow ochre. Use ultramarine blue and titanium white for the sky.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·rendering drapery

common pitfalls

  • →overworking details too early
  • →inaccurate proportions of figures
  • →flat or lifeless colors
  • →lack of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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