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home·artworks·The Virgin of the Chancellor Rolin
The Virgin of the Chancellor Rolin by Jan van Eyck

plate no. 7317

The Virgin of the Chancellor Rolin

Jan van Eyck, 1435

oilNorthern Renaissancereligious paintingfiguresarchitecturelandscapeinteriorreligiouscityscape
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, especially drapery, and understanding complex perspective in architectural settings. It also provides practice in portraiture and figure painting within a narrative context.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed preliminary sketch, paying close attention to perspective and proportions of the figures and architecture.

  2. step 02

    Establish the background landscape and sky using thin washes of color.

  3. step 03

    Block in the main shapes of the figures (Chancellor, Virgin, Child, Angel) with basic colors.

  4. step 04

    Begin layering colors to build up the drapery folds and textures of the clothing.

  5. step 05

    Work on the architectural details, including the columns, arches, and tiled floor, focusing on accurate perspective.

  6. step 06

    Refine the facial features and hands of the figures, paying attention to subtle shading and highlights.

  7. step 07

    Add the small details in the landscape and interior, such as the plants, buildings, and decorative elements.

  8. step 08

    Apply final glazes to unify the colors and enhance the overall realism.

color palette

primary · red · blue · brown · gold

secondary · green · white · black

Achieve the rich reds by layering crimson and vermilion with touches of brown. Create the subtle skin tones by mixing white, yellow ochre, and a touch of red and blue. The greens are achieved by mixing blues and yellows with touches of brown for muted tones.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·rendering drapery
  • ·linear perspective

common pitfalls

  • →Inaccurate perspective in the architecture.
  • →Overly saturated or flat colors.
  • →Poorly defined drapery folds.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, brown, gold, green, white, black, yellow ochre, crimson, vermilion)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, small flat, medium flat)
  • ·palette
  • ·palette knife

optional

  • ·damar varnish
  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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