apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Tribute Money
The Tribute Money by Joachim Wtewael

plate no. 7413

The Tribute Money

Joachim Wtewael, 1616

oil, copperNorthern Renaissancereligious paintingfiguresarchitecturereligious scenecrowdclothinghistorical
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to depict skin tones and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values with thin washes of color.

  3. step 03

    Begin refining the figures, paying attention to proportions and anatomy.

  4. step 04

    Develop the drapery, focusing on the folds and highlights.

  5. step 05

    Add details to the faces and hands, capturing the expressions and gestures.

  6. step 06

    Work on the background architecture, using perspective to create depth.

  7. step 07

    Refine the lighting and shadows to create a sense of volume.

  8. step 08

    Add final details and glazes to enhance the colors and textures.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · ivory black · cadmium red light

Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of red or blue for subtle variations. Mix browns and grays by combining the primary colors with black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery

common pitfalls

  • →getting lost in details too early
  • →incorrect proportions of figures
  • →muddy colors
  • →flat lighting

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley