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home·artworks·The Trial of Constance De Beverly
The Trial of Constance De Beverly by Toby Edward Rosenthal

plate no. 5125

The Trial of Constance De Beverly

Toby Edward Rosenthal

oilAcademicismhistory paintingfiguresinteriorstonearchitecturelightdramatic
experienced study

Recreating this painting would develop skills in rendering complex figures in dramatic lighting and understanding how to create depth and atmosphere using value and color temperature. It also requires careful observation of details and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and areas of light and shadow using thin washes of color.

  3. step 03

    Begin to develop the figures, paying close attention to their anatomy and expressions.

  4. step 04

    Gradually build up the details of the clothing, architecture, and other objects in the scene.

  5. step 05

    Refine the lighting and shadows to create a sense of depth and drama.

  6. step 06

    Add highlights and details to the figures and objects to bring them to life.

  7. step 07

    Glaze layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and yellow ochre. Use ivory black and titanium white to create the dark shadows and highlights. Add small amounts of cadmium red to create the red tones in the robes and other objects.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing

common pitfalls

  • →getting lost in details too early
  • →not establishing a strong value structure
  • →overworking the painting
  • →inaccurate proportions of figures
  • →lack of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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