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home·artworks·The Towers, Saint-Sulpice
The Towers, Saint-Sulpice by Albert Dubois-Pillet

plate no. 9399

The Towers, Saint-Sulpice

Albert Dubois-Pillet, 1887

oilPointillismcityscapebuildingscityscapetowersskyrooftopsarchitecture
some experience helpful

Recreating this painting will help students understand color mixing for subtle variations and practice the pointillism technique, building patience and precision. It also encourages observation of architectural forms and their relationships in space.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the towers and buildings, focusing on proportions and placement.

  2. step 02

    Establish a light grey base tone across the canvas to represent the overall atmospheric haze.

  3. step 03

    Begin applying small dots of color, starting with the darkest areas of the towers and rooftops.

  4. step 04

    Gradually build up the color layers, using complementary colors to create depth and shadow.

  5. step 05

    Pay close attention to the color variations within each area, mixing colors on the palette rather than directly on the canvas.

  6. step 06

    Work from dark to light, adding highlights with lighter dots of color.

  7. step 07

    Refine the details of the architectural elements, such as windows and cornices.

  8. step 08

    Continuously step back from the painting to assess the overall effect and make adjustments as needed.

color palette

primary · grey · brown · purple · ochre

secondary · blue · green · orange

Achieve the subtle greys and browns by mixing complementary colors like blue and orange, or purple and yellow. Use white to lighten the tones and create atmospheric perspective.

techniques

  • ·pointillism
  • ·color mixing
  • ·layering
  • ·atmospheric perspective
  • ·optical mixing

common pitfalls

  • →Applying dots too uniformly, resulting in a flat and lifeless appearance.
  • →Using pure colors straight from the tube without mixing, which can create harsh contrasts.
  • →Losing sight of the overall composition while focusing on individual dots.
  • →Not stepping back frequently to assess the progress and make adjustments.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·small round brushes (#0, #1, #2)
  • ·acrylic or oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)
  • ·rags

optional

  • ·easel
  • ·medium gloss
  • ·color wheel

Using a smooth canvas will help with the application of small dots. Acrylics will dry faster, while oils allow for more blending.

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oil painting for beginners →how to learn by studying the masters →
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