apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Tower of Babel
The Tower of Babel by Tobias Verhaecht

plate no. 1068

The Tower of Babel

Tobias Verhaecht

oil, canvasNorthern Renaissancereligious paintingtowerlandscapefiguresmountainsskyarchitecture
advanced study

Recreating this painting will develop skills in atmospheric perspective, complex composition planning, and rendering detailed architectural elements. Students will also learn to create a sense of depth and scale through careful value and color choices.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the tower, the landscape, and the horizon line.

  2. step 02

    Establish the basic value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Develop the tower's structure, focusing on the perspective and the repeating architectural elements.

  4. step 04

    Add details to the landscape, paying attention to the atmospheric perspective and the diminishing size of objects in the distance.

  5. step 05

    Paint the figures in the foreground, adding details to their clothing and expressions.

  6. step 06

    Refine the colors and values, adding highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to the tower and figures.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the muted tones by mixing complementary colors and adding white or umber. Use thin glazes of color to create depth and luminosity.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a convincing sense of depth and distance.
  • →Using colors that are too saturated and bright.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, cadmium red, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley