apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Tooth Puller
The Tooth Puller by Pietro Longhi

plate no. 0041

The Tooth Puller

Pietro Longhi, 1746

oil, canvasRococogenre paintingfiguresinteriorperformancecrowdarchitecturemasks
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering textures of clothing and skin tones. It also provides practice in creating depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background and architectural elements, paying attention to perspective.

  4. step 04

    Start building up the figures, focusing on accurate proportions and gestures.

  5. step 05

    Add details to the clothing and faces, using smaller brushes and more precise strokes.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details such as the patterns on the fabrics and the expressions on the faces.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue · naples yellow

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Create shadows by adding umber or black to the skin tone mix. Use thin washes of umber and black to create the dark background.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West