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home·artworks·The Thames from Somerset House Terrace towards the City
The Thames from Somerset House Terrace towards the City by Canaletto

plate no. 0016

The Thames from Somerset House Terrace towards the City

Canaletto, 1751

linen, canvas, oilRocococityscapecityscaperiverboatsbuildingsfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the river, the buildings, and the sky.

  2. step 02

    Establish the horizon line and the basic perspective of the buildings along the river.

  3. step 03

    Block in the sky with a light blue, blending it towards the horizon with a touch of yellow.

  4. step 04

    Paint the distant buildings with muted colors, focusing on their overall shapes rather than individual details.

  5. step 05

    Add the river, using darker blues and greens in the foreground and lighter, grayer tones in the distance.

  6. step 06

    Paint the boats and figures, paying attention to their relative sizes and positions.

  7. step 07

    Add details to the buildings and figures in the foreground, such as windows, doors, and clothing.

  8. step 08

    Refine the painting with highlights and shadows, adding depth and dimension to the scene.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium yellow light · ivory black

Mix blues and yellows with white to achieve the sky's subtle gradients. Use umber and sienna for the buildings, adjusting with white and black for value. Create the water with various mixes of blues, greens, and grays.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering fine details

common pitfalls

  • →Getting the perspective wrong on the buildings.
  • →Making the colors too saturated, especially in the distance.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·varnish
  • ·easel
  • ·mahl stick

Use a fine-grained canvas for better detail. Consider using a toned ground (e.g., raw umber) to unify the colors.

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