apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Temptation of St Anthony
The Temptation of St Anthony by Lucas van Leyden

plate no. 6976

The Temptation of St Anthony

Lucas van Leyden, 1530

oilNorthern Renaissancereligious paintingfigurereligious scenedemonslandscapetablecross
experienced study

Recreating this painting will help students develop skills in rendering complex figures, creating atmospheric perspective, and understanding the use of symbolic imagery. It also provides practice in glazing and layering techniques to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and compositional elements.

  2. step 02

    Establish the background using thin washes of earth tones, focusing on creating depth.

  3. step 03

    Block in the main figures with simplified shapes and values, paying attention to proportions.

  4. step 04

    Begin layering colors to define the forms and create subtle transitions.

  5. step 05

    Add details to the figures, including facial features, clothing folds, and textures.

  6. step 06

    Refine the lighting and shadows to enhance the three-dimensionality of the forms.

  7. step 07

    Add the smaller figures and details in the background, using a lighter touch to maintain atmospheric perspective.

  8. step 08

    Apply final glazes to unify the painting and enhance the overall color harmony.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · Prussian blue

Achieve the muted tones by mixing earth colors with black and white. Use small amounts of red and yellow to create warmth, and blue for cooler shadows. Glazing with thin layers of color will help create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Losing the sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·dammar varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley