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home·artworks·The Temptation
The Temptation by Pietro Longhi

plate no. 3827

The Temptation

Pietro Longhi

oil, canvasRococogenre paintingfiguresinteriorclothingmonksewinglace
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and capturing the textures of different fabrics. It also provides practice in creating a balanced composition with multiple subjects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the background and establish the overall lighting scheme.

  4. step 04

    Begin refining the figures, paying attention to proportions and anatomical details.

  5. step 05

    Add details to the clothing, including folds, textures, and lace.

  6. step 06

    Refine the faces and hands, focusing on capturing the expressions and gestures.

  7. step 07

    Add final details such as the birdcage, bottle, and other props.

  8. step 08

    Glaze and adjust values as needed to create a cohesive and atmospheric effect.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · yellow ochre · Prussian blue

Achieve the muted tones by mixing earth colors with white and small amounts of other colors. Use glazes of thinned color to create depth and subtle variations in tone.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting lost in details too early before establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the initial brushstrokes.
  • →Failing to capture the subtle variations in tone and texture.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. A toned canvas can help to establish the overall color scheme.

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