apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Tax-Collector's Office
The Tax-Collector's Office by Pieter Brueghel the Younger

plate no. 5396

The Tax-Collector's Office

Pieter Brueghel the Younger, 1615

oilNorthern Renaissancegenre paintingfiguresinteriorofficedocumentsbagswindow
advanced study

Recreating this painting would develop skills in rendering complex scenes with many figures and objects, as well as understanding how to create a sense of depth and atmosphere with a limited palette. Students will also learn how to break down a complex composition into manageable parts.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of value.

  3. step 03

    Begin to refine the details of the figures, paying attention to their anatomy and expressions.

  4. step 04

    Add details to the objects in the scene, such as the documents, bags, and furniture.

  5. step 05

    Work on the lighting and shadows to create a sense of depth and atmosphere.

  6. step 06

    Refine the details and add finishing touches, such as highlights and textures.

  7. step 07

    Glaze with thin layers of color to unify the painting and create a sense of depth.

  8. step 08

    Add final details and highlights to create focal points.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · Prussian blue · cadmium red light · raw sienna

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to create depth and richness.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of figures and objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value range.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley