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home·artworks·The Tailor
The Tailor by Pietro Longhi

plate no. 2464

The Tailor

Pietro Longhi, 1741

oil, canvasRococogenre paintingfiguresinteriorfabricdogportraitclothing
experienced study

Recreating this painting will help students develop skills in rendering fabric textures, capturing realistic skin tones, and understanding complex compositions with multiple figures. It also provides practice in depicting subtle lighting and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the background, focusing on the subtle variations in the wall and the details of the fireplace and picture frame.

  4. step 04

    Begin developing the figures, starting with the skin tones and then moving on to the clothing.

  5. step 05

    Pay close attention to the folds and textures of the fabric, using a variety of brushstrokes to create depth and dimension.

  6. step 06

    Add details to the faces, focusing on capturing the expressions and individual characteristics of each figure.

  7. step 07

    Refine the lighting and shadows, using glazes and highlights to create a sense of realism.

  8. step 08

    Add final details, such as the patterns on the fabric and the features of the dog.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · cadmium red · sap green · titanium white

Achieve the fabric colors by mixing the primary colors with white and small amounts of secondary colors. Use glazes of burnt umber and ivory black to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting
  • ·chiaroscuro

common pitfalls

  • →getting the proportions of the figures wrong
  • →overworking the details
  • →failing to create a sense of depth
  • →making the colors too bright or saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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