apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Strong Castle and the place of Andelys
The Strong Castle and the place of Andelys by Felix Vallotton

plate no. 1148

The Strong Castle and the place of Andelys

Felix Vallotton, 1924

oil, canvasMagic Realismcityscapebuildingscastlehillskystreetfigure
some experience helpful

This painting is great for practicing blocking in shapes and understanding light and shadow on geometric forms. Recreating it will help develop skills in simplifying complex scenes and creating a sense of depth through value.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, hill, and castle, paying attention to perspective.

  2. step 02

    Block in the large areas of color: sky, hill, buildings, and street.

  3. step 03

    Establish the light and shadow patterns on the buildings and hill.

  4. step 04

    Refine the shapes of the castle and add details to the windows and roofs.

  5. step 05

    Add the figure and the cats.

  6. step 06

    Blend the colors smoothly, avoiding harsh lines.

  7. step 07

    Add subtle details to the street and sky.

  8. step 08

    Make final adjustments to values and details.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · viridian green · cadmium red

Mix various shades of yellow ochre with white and a touch of red for the sunlit buildings. Use ultramarine blue and white for the sky, and mix greens with yellow ochre and ultramarine blue for the hill. Burnt umber is used for shadows and darker areas.

techniques

  • ·blocking in
  • ·value studies
  • ·color mixing
  • ·smooth blending
  • ·atmospheric perspective

common pitfalls

  • →Overcomplicating the details
  • →Using too much detail in the shadows
  • →Not establishing a clear light source
  • →Using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints: yellow ochre, ultramarine blue, burnt umber, titanium white, viridian green, cadmium red
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·selection of brushes (flat and round)
  • ·rags

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Birth of the Earth

Birth of the Earth

Nina Tokhtaman Valetova

Soundscape

Soundscape

Abdul Mati Klarwein

Le poisson choa

Le poisson choa

Nicolae Maniu

Hidden Pasture

Hidden Pasture

Eyvind Earle

Pacific

Pacific

Alex Colville

Poet With Flower

Poet With Flower

Stefan Caltia

Canzone

Canzone

Antonio Donghi

Trinity of the Mount

Trinity of the Mount

Felix Vallotton