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home·artworks·The Story Teller in Tétouan
The Story Teller in Tétouan by Jean-François Portaels

plate no. 4690

The Story Teller in Tétouan

Jean-François Portaels

oilAcademicismgenre paintingfiguresarchitecturecityscapeclothingchildrenstoryteller
experienced study

Recreating this painting will help students develop skills in rendering figures in various poses and capturing the atmospheric perspective of a complex scene. It also provides practice in creating subtle color variations within a limited palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and buildings.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the background cityscape with soft, blended brushstrokes, focusing on atmospheric perspective.

  4. step 04

    Develop the figures, paying attention to their individual poses and expressions.

  5. step 05

    Refine the details of the clothing and architecture, using thicker paint and more defined brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the light source and how it affects the colors and values in the scene.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin washes of color to build up layers and create depth.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a clear value structure
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a base color.

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