apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Stolen Kiss
The Stolen Kiss by Jean-Honore Fragonard

plate no. 0771

The Stolen Kiss

Jean-Honore Fragonard, 1788

oil, canvasRococogenre paintingfiguresinteriordoorwayclothingfurniturecarpet
experienced study

Recreating this painting will develop skills in rendering fabric with highlights and shadows, as well as creating depth through atmospheric perspective and accurate proportions of figures in an interior space.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Block in the main colors of the background, including the walls, curtains, and the scene visible through the doorway.

  4. step 04

    Begin to develop the figures, starting with the woman's dress. Focus on capturing the highlights and folds of the fabric.

  5. step 05

    Refine the details of the figures' faces and hands, paying close attention to the expressions and gestures.

  6. step 06

    Add details to the furniture and other objects in the scene, such as the chair and the carpet.

  7. step 07

    Glaze the painting with thin layers of color to create depth and luminosity.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · yellow ochre · burnt umber

secondary · cadmium red light · ultramarine blue · viridian

Mix various shades of white with small amounts of yellow ochre, burnt umber, and ivory black to achieve the subtle variations in the woman's dress. Use ultramarine blue and viridian to create the cool tones in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking the details too early
  • →Failing to capture the subtle variations in the fabric
  • →Inaccurate color mixing leading to muddy tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (18x24 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West