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home·artworks·The State Barge of Cardinal Richelieu on the Rhone
The State Barge of Cardinal Richelieu on the Rhone by Paul Delaroche

plate no. 8630

The State Barge of Cardinal Richelieu on the Rhone

Paul Delaroche, 1829

oil, canvasAcademicismhistory paintingboatsfigureswaterskyhistoricalflag
experienced study

Recreating this painting will help students develop skills in depicting figures in complex compositions and capturing the subtle nuances of light and shadow on water and fabrics. It also provides practice in rendering details within a limited color palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of the boats, figures, and key elements.

  2. step 02

    Block in the main shapes and colors of the sky and water, focusing on the overall tonal values.

  3. step 03

    Establish the basic forms of the boats and the large structure on the right boat.

  4. step 04

    Begin adding details to the figures, starting with the faces and clothing, paying attention to the light and shadow.

  5. step 05

    Develop the details of the water, including the reflections and the texture of the waves.

  6. step 06

    Refine the details of the boats, including the flags, ropes, and other elements.

  7. step 07

    Add the final highlights and shadows to create depth and dimension.

  8. step 08

    Glaze to unify the colors and add atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or black. Use glazes of red and brown to create the rich colors of the fabrics.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong tonal foundation.
  • →Getting the proportions of the figures wrong.
  • →Making the water look flat or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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